Austen, Speare, or Something Else? Choosing a Mentor Novel

Novelists out there: Ever been asked to choose a “mentor” novel?

The intensive novel writing class I begin soon requires that I choose a mentor novel.  This is a novel that I have already read and loved for its style, genre, tone, plotting, humor, language, or whatever reason, and wish to emulate in some way.

Question is, what to choose?  What novels are educative for the writer learning her craft?

I can say what will not work.  My preference might be the Eliots and Tolstoys, but Middlemarch and War and Peace wouldn’t make good mentor novels.  At least, good mentor novels for the likes of me.  Why?  They are too long and too complex.  Normally, as a reader, I would consider these to be good qualities in a novel.  Who doesn’t love delving into the delightful complexities of an epic masterpiece?  But they fail as mentor novels because a writer would be hard-pressed to get their minds around the structure of those books.  And getting our minds around the structure of a book is what having a mentor novel is all about.

That being said, I’m toying with two novels right now:  Jane Austen’s Pride and Prejudice and The Witch of Blackbird Pond by Elizabeth George Speare.

Pride and Prejudice is an easy, obvious choice.  I love Austen’s novels and I know them well (maybe a little too well). She’s a master at characterization, and emulating her would also help me achieve my near-impossible goal of being funny (considering that I’ve boldly opined on the lack of humor in new Catholic literature).  Perhaps, with Austen’s help, I’ll dream up another Mr. Collins?

Pinched from here.

Pinched from here.

One can only hope.

My one objection to using Pride and Prejudice is that it’s everyone’s mentor novel.  Need proof?  The Elizabeth Theory.  Contemporary fiction has way, way too many Elizabeth knockoffs.   Other than Shakespeare’s Beatrice (Much Ado About Nothing), I cannot think of a single female literary character prior to P&P with the temperament and talent of an Elizabeth Bennett.  She became a type when she arrived on the scene – a beloved and much imitated type – and since then our female characters are measured according to the Pride and Prejudice standard.

My more pressing goal, however, is to work on plotting, and for that I can think of no better example than the Newbury Award winning novel The Witch of Blackbird Pond That Disney hasn’t already turned it into a movie is surprising, considering its vast popularity with fifth-grade teachers.  It’s a compelling and tightly written story set in colonial Connecticut, and the opening chapters are near perfection in its hook, establishment of the premise, characterization, scene structure, and foreshadowing. And, being a children’s story, the plot is easier to analyze.  Kit is another Elizabeth Bennett type, of course, but otherwise it’d be a great book to imitate.

How about you?  What novel (or book, for you non-fiction writers) would you choose as a mentor novel, and why?

Writer’s Notebook, 11/27/12: Opposite Day! And a Few Resources

I mentioned in a recent Writer’s Notebook update that I had given up on writing the novel and turned to a non-fiction project.  That I had hit the end of my innate abilities and was waiting for school to start.  That this non-fiction project finally had context and relevancy and that it was time for it to begin.

I told the truth, but it’s also possible that I had a case of writer’s block.  In any case, I had a breakthrough the other day regarding the novel, meaning that I’m back at it again.

The novel has two main characters – two sisters, to be precise.  The older sister, Lisa, is lovable and lovely but a real piece of cuckoo! work underneath her outer shell of rational and religious sensibilities. In my early morning mental ramblings the other day, between dreamland and wakey-time, I understood that her reaction to the premise of the plot was not what I thought it was.

In fact, it’s practically the opposite.

Opposite!

You don’t have to be a storyteller to realize how that changes everything.  Though, fortuitously, it does bring the plot line back around to my original conception, over a year ago.  At least I’m not starting from scratch.

Also fortuitous is the renewed desire this realization has given me to get back to work.  Bless my soul, now I have two active projects going, if you don’t count blogging.  Perhaps, someday (please, Lord?), I’ll finish one of them.  Finis, The End, All’s Well That Ends Well, Q.E.D.  It’d sure be nice.

Feeling refreshed, my first stop was to the ever-helpful blog Wordplay: Helping Writers Become Authors, hosted by author K.M. Weiland.  My foremost burning question at this point is How on earth do I outline a novel? Because I’m sure spinning my wheels, writing a ton of copy that I’m going to set aside and probably never use.

(If you’re tuning in for the first time, you must know that I don’t know what the begeebers I’m doing.)

It seems like a simple enough question to answer, but, turns out, not so much.  I figured Weiland would have an answer, and she did… in the form of a book.  That’s how much one can say about the benefits and methods of outlining.

So, there’s that.  I’ll read her book and start outlining the (let’s not curse now!) thing.

With regards non-fiction, one of the best resources I’ve found for writers is Jeff Goins. He has a motivational + marketing savvy ethos which I actually appreciate a lot.  I need help staying motivated to write and being diligent, and I’ll need help with the business side of writing.  Other people are good at it and those people tell people like me what to do.

What impresses me is that Jeff Goins holds down a full-time job in addition to all this writing he does.   He acknowledged in one of his talks that he makes about $3,500/month from his Kindle sales.  Apparently it’s enough to allow his wife to stay at home with their son, but not quite enough to quit his 9-to-5 gig — and perhaps he doesn’t want to quit.  How would I know?  Anyway, here at A Naptime Novelist, we applaud people who manage to do this crazy writing thing in odd circumstances and at odd times.  I admire his work ethic and envy his word counts.

Worst of all, now I have no excuse for not getting both the fic and non-fic projects done.  Gee, thanks, Mr. Goins.

Easy Jane Austen Trivia

…inspired by this morning’s breakfast:

What about this morning’s breakfast reminds me of Jane Austen?

Answer correctly and fame and fortune will be yours!*

 

 

*Not really.

Writer’s Notebook, 8/28/12: First Things First

As you know, we recently moved.  The upstairs of our house is still being remodeled.  Our selves and our stuff is relegated to floor number one.  I have no privacy, no office, few office supplies, and only a few books unpacked.

But, thank the sweet Lord Jesus, after that horrific week of nap strikes, The Boy is back to sleeping in the afternoon.

Time to write, Naptime Novelist!

Write today. Not tomorrow, or next month, when conditions are theoretically ideal. Not when I have an office (though that’d be nice).  Not when the house is painted (though that’d be nice, too).

Now.

If I truly believe that I have a vocation as a writer, then I had better show up for work like the rest of the world’s working stiffs.  My husband does not get a pass on work just because the sink needs fixing and the yard needs weeding.  He shows up.  And so must I.*

Bill and the sock puppet just crack me up.

As a measure of accountability, I’m using Bill Dodds‘ word count goals for writing a novella in nine weeks:

Week One:  300 words a day, six days of writing, 1,800 words total.
Week Two: 400 words a day, six days of writing, 2,400 words for the week, 4,200 words total.
Weeks Three – Nine: 500 words a day, six days of writing each week, 3,000 words each week, 25,200 words.

25,200 words is one small novel.

I have two days under my belt.  600 words since starting up again, plus reams of material previously written to sort through some other time.

Guess what?  300 words is nothing.  Nada.  Zilch.  And yet, Dodds directs me to STOP at 300, make a quick plan for the morrow, and leave it there.  Why?  So as to prime the pump for the next day, avoid burnout, and maintain manageable expectations.  Some people can write a novel overnight, but I cannot.  The story is in my head, but its details must come out steadily over the course of time.  A little every day a novel will make – so goes the arithmetic.

Reality check: I have plenty of time to write.  Perhaps it doesn’t feel like it, but I do.  Not only can I write while The Boy naps, but I also have an evening or two a week when my husband lets me out of the domestic cage for coffee shop time.  Plus mornings and nights, when I can manage it.

On the contrary, my cousin John, a writing major at the University of Oregon, with no wife and no kids, has about half the actual writing time I have.  Now, he produces ten times the verbiage that I do, but… I have more time.  So there.  Blessings counted.

Speaking of schools… remember when I was debating the best way to really learn the craft I have an answer now.  We get one-hundred percent tuition remission – no waiting period, like I thought – for classes at the small college where my husband now teaches.

Free is golden.  Free means the decision has been made for me.  We have enough student loans as it is.

In case you missed it… here is my August article at CatholicMom.com.  Say a prayer that inspiration strikes for September.

 

*Struggling to get started and keep going?  Read Steven Pressfield’s The War of Artanother good book recommendation from my friend Colleen.

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